4A Centre for Contemporary Asian Art
181—187 Hay Street, Sydney, NSW 2000 Australia
One Hundred Names is the first Australian solo exhibition by Chinese artist Chen Qiulin. Chen belongs to a generation of Chinese artists whose work articulates the social repercussions of China’s ongoing process of political and economic reform. Her work explores the many contradictions inherent within the conditions that frame contemporary life in a country where myriad tensions and conflicts between tradition, progress and appearances are constantly tested. Raised in Wanzhou City, located in the municipality of Chongqing in western China, Chen’s home city was partially submerged by the construction of the Three Gorges Dam on the Yangtze River since 2001 and her work responds to this lived experience of natural and urban landscapes in flux.
4A’s exhibition includes a survey of the artist’s practice from the last ten years. Included are key works such as The Garden (2007) and Farewell Poem (2007), which through performance explore and document the physical and psychological upheaval caused by the comprehensive expansion of the city and the construction of the dam, which forced more than one million people from their ancestral homes. Also exhibited are new works such as City Manager (2015), a single-channel video which focuses on three archetypal figures and their role in the urban expansion and development of a new kind of architecture and class system within China. Playful and irreverent, City Manager speaks to immense influence of a small group of people in shaping the physical and social landscapes of contemporary China.
More information: http://www.4a.com.au/chen-qiulin-one-hundred-names-2/